Zionist

In 2006 Palestinian groups had called for an academic & cultural boycott of Israel. On July 29th 2008, Morrissey played his first gig there.

https://electronicintifada.net/content/morrissey-celebrating-apartheid-tel-aviv/821https://electronicintifada.net/content/morrissey-celebrating-apartheid-tel-aviv/821

In July 2012, he told Israel’s channel 2 news that:

“There’s no point in punishing an entire nation for something its leader says or does.”

In his November 2017 interview with Der Spiegel he dismissed the idea of a cultural boycott, seemingly not previously aware of the BDS movement.

“It is narrow-minded. Being politically correct is incorrect. It means forbidding the freedom of speech. This is how the BDS movement sounds to me.”

and

“I love this city [Tel Aviv]. The rest of the world does not like Israel well. But the people there are very generous and friendly. You should never judge a people by their government. It is very rare for the government to reflect the wishes of the people.'”

https://www.jpost.com/israel-news/british-singer-morrissey-slams-bds-movement-as-absurd-514833

His 2017 album, Low In High School, had 3 songs set in Israel.

The Girl From Tel Aviv Who Wouldn’t Kneel, which included a side-swipe at American intervention:

Of princes and kings and their costly parade
Blitz them all back to the Stone Age
The American way displayed proudly
Is to show lots of teeth and talk loudly
And the land weeps oil
The land weeps oil
What do you think all these armies are for?
Just because the land weeps oil

When You Open Your Legs, in which the song’s narrator forgets everything because of sex:

4am and once again
I am asked to leave this club in Tel Aviv
It’s 4am and once again
I am asked to leave this club in Tel Aviv, oh Everything I know deserts me now
When you open your legs
Everything I know deserts me now
When you open…

& Israel, which mixes sex with religion, envy and threat.

Realize if you’re happy
Jesus sends you straight to hell
Israel Israel
And should you dare, enjoy your body
Here tolls Hades welcome bell
Israel Israel
You’ve found a middle course existance
We’re all bones and flesh and shell
Israel Israel
I can’t answer for what armies do
They are not you They are not you
They are not you
In other climes they bitch and whine
Just because you’re not like them
Israel Israel
The sky is dark
For many others
They want it dark
For you as well
Israel Israel
Earth is just one big asylum
An explodes a prison cell
See us squirm in our own damaged spell
You were born
As guilty sinners
Before you stood up right, you fell
Put the fear of many gods
In Israel
Nature gave you
Every impulse
Who are virgin priests to tell
Who, how to love
How to live
Israel
And they who reign, abuse, upon you
Upon you
They are jealous of you as well
Love yourself
As you should
Israel

There’s nothing to suggest that it has anything to do with the conflict between Israel & Palestine.

Tel Aviv sells itself as one of the most gay friendly cities in the world.

Tel Aviv is known internationally as one of the most gay-friendly cities in the world, welcoming gay tourists with open arms, and also offering a safe refuge for those from the LGBTQ community of surrounding countries in the region. (Tourist Israel, 2021)   https://www.touristisrael.com/why-tel-aviv-is-the-ultimate-lgbtq-travel-destination/26062/

https://www.theguardian.com/world/2016/jun/21/gay-lgbt-muslim-countries-middle-east

And as the Vegan capital of the world.

The “vegan capital of the world” is what proud locals dub Tel Aviv. With 400 vegan and vegan-friendly kitchens catering to most of Israel’s 200,000 vegans, going meat-free isn’t just easy, here; it’s a chance to sample the best food in town. (Jasmine Phull, the Independent, 6 November 2017) https://www.independent.co.uk/travel/middle-east/vegan-food-tel-aviv-best-restaurants-israel-vegetarian-friendly-port-capital-meshek-barzilay-orna-ella-bana-a8036081.html

If Morrissey was racist towards Muslims he’d hardly have Istanbul as one of his favourite cities.

I had a timid childhood. My past is also full of repression. I still do not know what it means to have fun and to enjoy physically. Istanbul has a feature that dissipates this mood and crisis. When you return to the British land, you are left with the same despair, it’s separate. This is the secret of Istanbul, the people of Istanbul: It is very alive, very real. This is also something I admire. I don’t see myself as a ‘living person’ as much as you do. I’m an extra head in the crowd, that’s all. (Morrissey, Hurriyet, 24 November 2014) https://www.hurriyet.com.tr/kelebek/hayat/morrissey-cinsel-hayatim-koca-bir-cahillikten-ibaret-27621773

And he felt his boycott of Canada was a failure.

My decision to return to Canada after almost 15 years of protest against its savage and Neanderthal annual Baby Seal Kill is entirely because my stance was ultimately of no use and helped no one.  My voice was drowned out by the merciless swing of spiked axes crushing the heads of babies. (Morrissey, Morrissey Central, 20 September 2018)

Desite that, as usual, it was interpreted as genocidal, reactionary racism by the press.

…to argue that Israel is beset with ‘dark’ hostile forces seems to conflate the very existence of Arab and Muslim populations with the most extreme forms of Islamist ideology. The legitimate grounds for Palestinians to feel oppressed or denied justice by the Israeli state are conjured away, or represented as inherently life-denying forces… For Morrissey, the legitimate demands of Arab and Muslim opinion in the region are denied, and millions of people only represented as dark impersonal forces, motivated by hate and jealousy. It’s a deeply racist and reactionary line of thought. (Michael Calderbank, 2 December 2017) https://www.redpepper.org.uk/where-did-it-all-go-wrong-morrissey/

Two songs about sex & one about defying authority had to be about Zionism.

The Quietus review, bylined “Mr Agreeable”, said: “That’s opposition to Likud, Netanyahu kissing Trump’s arse, the f**king settlements programme, the f**king bulldozing of protesters, all sussed for what it really is — plain old green-eyed jealousy.” Guardian music critic Alexis Petridis also poured scorn on the notion. “Don’t worry, everyone, he’s got it all worked out: anyone who criticises Israel’s actions — say, the bulldozing of Palestinian homes in the occupied territories — is ‘jealous’.” Meanwhile Guardian TV critic Stuart Heritage asserted: “It has got to the point that just reading the track list of his new album — including song titles such as The Girl From Tel Aviv Who Wouldn’t Kneel and Israel — is enough to send your sphincter zooming up through your intestines and into your windpipe.” (Lee Harpin, Jewish Chronicle, 27 November 2017) https://www.thejc.com/news/uk/critics-attack-israel-in-morrissey-album-reviews-1.449077

And he got denounced by social media.

On a Side Note: Morrissey has a fairly well documented admiration for Israeli actor Lior Ashkenazi & that it’s possible the songs were inspired by his films. https://morrissey-shot.livejournal.com/1140439.html

Morrissey, Lior Ashkenazi

Plays the Victim: Monster, Troll, Autistic, Nutter

From the beginning of Morrissey’s career he talked about his mental health issues and his problems with social interaction.

It is difficult to describe how really insular I was… I was entirely on my own… I found life unbearable at times… the fear and anguish… I seemed to be more depressed than anyone else. (Morrissey, Blitz, April 1988)

Before he was famous he was excluded and othered, after he was famous it continued.

One of the lads said, “you ought to hear the voice!” It was a very girlish, effeminate voice and his mannerisms were very effeminate – Noel Devaney on Morrissey’s first school day. (Johnny Rogan, the Smiths, Omnibus Press, 1994)

“Morrissey,” remembers Paul Morley, “was always laughed at in Manchester when we were kids. He was the village idiot. That’s the ironic thing – now he’s the poet of a generation. But in those days he was ‘that-one-in-the-corner, Steve the Nutter’.” (Jessica Berens, Spin, September, 1986)

[to Morrissey] I remember who and what you used to be. You were like the village idiot, the odd one out, the backward boy. (Paul Morley Blitz, April 1988)

When he was violently attacked by homophobes at Finsbury Park in 1992, the music press blamed him for it, labelling him a racist by twisting his words out of context, guilt by association, and falsely claiming that touching the Union Jack was fascist. It then became acceptable to gaslight him, monster him & be ableist.

https://folk-devil.com/2021/09/05/sexually-ambiguous/

To be a national treasure you have to be likable. Is Morrissey likable any more? I’m almost loth to say that he isn’t, because to do so would be to play into the persecution complex he has been nurturing for the best part of his solo career. Even when he makes pronouncements that, broadly speaking, I agree with, there’s something about the way he makes them that makes me recoil“I do feel as though I have been somewhat victimised,” he told Mojo a few years ago. But what has he been “victimised” for? The 1992 show where he sang “The National Front Disco” draped in a union flag seems to have been a turning point. At the time, I was one of the few people in the music press who felt that Morrissey should have been given the benefit of the doubt. Perhaps he was trying to make some arcane point about the nature of Britishness to a park full of Madness fans. In retrospect, though, it seems pretty clear that he was defying people to misunderstand him… (Peter Paphides, The Guardian, March, 2012)

The King of the Trolls title is hard to win. Between professional Russian tweeters and amateur armies of online haters doing battle with everything from CNN to Starbucks, there is no shortage of competition. But even in this crowded field, Morrissey shines like a true champion. (Jed Gottlieb, Boston Herald, 7 December 2017) 

Ultimately, you can’t help feeling that not only did Morrissey need Johnny Marr to achieve greatness, but the guitarist was also a restraining and civilising influence on his songwriting partner. (Mark Phillips, Medium, November 2019)

Morrissey isn’t senile, he’s always been a racist. (Mangal Media/Freedom Magazine, August 2019).

We interviewed Bid from The Monochrome Set whose view was that the creative part of Morrissey’s brain operated separately from the part that was prone to “spouting rubbish”. One of Svenja’s friends has been diagnosed with a mild form of Asperger Syndrome, a disorder characterised by difficulties with social interaction and repetitive behaviour. Her friend is adamant that they recognise aspects of their condition in his behaviour… Morrissey may well be socially awkward, like many creative people. But he’s not stupid. He has walked a thin line courting controversy and the uglier aspects of human sentiment. He knows exactly what he’s done and he’s made a very good living from it. His problem is that he has lost a lot of income and audience, and I’m sure he won’t enjoy being categorised under “racist cunt”. (Phil Ross, Louder Than War, March 19, 2020)

I feel that as a black man liking music made mainly by white people it means I will have to wince every now and then at lyrics… not to mention whatever Morrissey says… ever. (Gabriel Ebulue, the Quietus, 13 November 2019)

Then there’s their Irishness and the punk moment. Shane was immensely inspired by John Lydon. The Irish thing cannot be overlooked, as they were crucial to English pop music. John Lennon, Billy Fury, if we can still mention his name, Morrissey. There’s a great deal of Irish presence in English music. What’s different about MacGowan is that he made a real point of being Irish. (Julian Temple, Flood Magazine, December 2020)

Side Note: everyone else in rock gets forgiven.

Bryan Ferry, David Bowie, Joy Division, Lemmy, Banshees… bit of Nazi trouble. https://www.theguardian.com/music/2007/apr/16/news.joydivision

Eric Clapton had a bizarre racist period. https://www.irishtimes.com/culture/film/eric-clapton-opens-up-even-on-his-bizarre-racist-period-1.3327327

Elvis Costello was drunk… After 2AM he described James Brown as a “jive-arsed n——” and Ray Charles as a “blind, ignorant n——.” https://ultimateclassicrock.com/elvis-costello-racist-remarks/

The Cure’s killing an Arab is literature. https://www.robertchristgau.com/xg/music/censor-87.php

John Lydon racially assaulting a black singer, supporting Trump, Farage & Brexit, & hating left-wingers, is complex. https://theoutline.com/post/1315/johnny-rotten-would-hate-john-lydon

Worn Nazi imagery? Stabbed your girlfriend? Fragile and damaged. https://www.theguardian.com/music/2009/jan/18/sid-vicious-death-icon

It was right-wing to object to Marilyn Manson… ‘I have fantasies every day about smashing her skull in with a sledgehammer.’ (Spin, 2009) … nobody even batted an eyelash at these overt admissions of violence.… (Glamour, March 2018) https://www.glamour.com/story/why-is-nobody-talking-about-marilyn-mansons-fantasy-of-killing-evan-rachel-wood

Mark E Smith was ‘far too complex or intelligent to be a mere ogre‘. https://www.theguardian.com/music/2018/jan/24/mark-e-smith-the-fall

“From the opening, combative ‘The Classical’ the album seethes with rancour (the opening line “Where are the obligatory n—–s? Hey there, fuck face!” although not racist in the context of the song, is unpleasant to say the least and, unsurprisingly, cost them a record deal with Motown)”... the first thing that I failed to do when writing about ‘The Classical’ was to put the song in a solid contemporary context. Smith was far from the only musician dropping the n-word in this period and this usage exists right at the periphery of a much more well established continuum. (John Doran, the Quietus, 13 November 2019) https://thequietus.com/articles/27427-hex-enduction-hour-the-classical-the-fall-racist

… I’m fit and working again
And I feel like Alan Minter
I just ate eight sheets of blotting paper
And I chucked out the Alka Seltzer… (Fit and Working Again, The Fall, 1987)

Bad Writer

Morrissey’s jokes can be cutting and unwise – but they’re nowhere near as spiteful or as unfunny, as The Quietus.

https://thequietus.com/articles/14213-morrissey-novel-extract

It reads as if their avowed anti-racism is sitting on a powder keg of repression because given half a chance to take a pot shot at the singer they’ve labeled a Nazi, they come out with horrors like this by David Stubbs, in January 2014:

However, these were the 1980s and an unspoken racism meant that it was hard for those whose skin was not disco-coloured to get booked on the programme. So, Norrissey hatched a plan. He and the band turned up at the BBC studios one Thursday evening in Afro wigs, their skins applied with burnt cork, minstrel-style. “Hi!” they said, jively, to the man at the door, waving their hands in the sort of way that makes some wonder if Britain is Britain any more. “The name of this here group of ours is The Blackfaces and we’re here to play our new single ‘Strut Your Superficial Stuff’.” Naturally, they were immediately allowed on the show.

To remind you – it was Simon Reynolds and Frank Owen, journalists at the Melody Maker, who divided pop music into white indie (which was intellectual) and black music (escapist, showbiz, works through the body on the dancefloor). Morrissey answered questions based on their escapist v. intelligent binary and (rightly) thought that escapist would get more airplay because it’s escapist.

“Pop has never been this divided,” wrote Simon Reynolds in his much-lauded, recent piece on the indie scene, referring to the chasm that now exists between indie-pop and black pop… It’s a bit like the late Sixties all over again with a burgeoning Head culture insisting that theirs’ is the “real” radical music, an intelligent and subversive music that provides an alternative to the crude showbiz values of black pop… What (black music) says can’t necessarily be verbalised easily. It doesn’t seek to change the world like rock music by speaking grand truths about politics, sex and the human condition. It works at a much more subtle level – at the level of the body and the shared abandon of the dancefloor. It won’t change the world, but it’s been said it may well change the way you walk through the world. (Frank Owen, Melody Maker, Steptember, 1986)

Not content with racist jokes based on a faulty memory or no research, he went on to make homophobic jibes…

Stephan Partick Norrissey looked at himself longingly and bashfully in the bedroom mirror. He was 12, and in the throes of a shy infatuation with the boy who stared back at him… In the thrill of the moment, he wondered what his own genitals looked like – he averted his eyes when at the lavatory… He relished the warmth of his own backside…  In 2013, in a ceremony that broke down new barriers in terms of civil partnership, Norrissey married the one man who had kept faith in him, adored him quietly from afar, been his companion in times of loneliness, his only true friend – himself… some were sordid enough to wonder how they would manage to consummate the relationship. They need not have feared – for if anyone was able to insert himself up his own rectum, it was Norrissey.

He also jokes about fat women, because, satire…

An outsider, engulfed by modern superficiality yet destined to be adored by everyone except bitter, fat female journalists

And implies that if Morrissey wanted Jimmy Savile arrested, he should have gone to the police himself, as if it’s unreasonable to think that people who knew about Savile should have done something.

Now, rumours were rife about Jimmy Savile – the things he got up to – evil, disgusting things – but which no one dared to inform the authorities about. Norrissey, however, wasn’t intimidated by Jimmy Savile’s showbiz status – his image as a cigar-toting, yodelling big shot cut no ice with him. He would inform the police.

David Stubbs’ era of music journalism was racist, sexist, homophobic, and turned a blind eye to Savile – the fact that they tired to make it sound ‘positive’ and ‘fun’ doesn’t make it less bigoted.

Their excuse for the venom was Morrissey’s anticipated novel, List of The Lost.

When it arrived there was a glut of bad reviews and a bad sex award.

As soon as it was published last week, the internet erupted with the sound of a thousand contemptuous guffaws. (The Guardian, October 2015)

Even his autobiography, published in 2013, had been denounced, his memories questioned, and his left-wing crimes listed.

This kind of pretentiousness has been taken at face value for so long by the more credulous members of the pop media that it’s no surprise that Morrissey regards himself as an artist… Sixties Manchester was not heaven on earth. Nor was it the Dickensian dump Morrissey would have us believe. Whores did not tout for business in leafy Stretford and as for his memories of miserable schooldays, and teachers who liked to punish miscreants, these are overgrazed pastures. But this is the picture he wants people to see, of how the forces of repression turned him into the mardy little pup who never grew up, and there was nothing he could do about it… In three decades of unloading his misery on a world he finds too cold to take part in, few people have escaped his wrath. The royal family exists as a kind of dictatorship, judges are bent, patriotism is a joke, last year’s Olympic Games was barely a step away from a Nuremberg rally (didn’t you see those jackboots?), and the Krays, being working class, were misunderstood. And don’t forget, boys and girls: ‘meat is murder’... Shamefully Penguin fell for this ruse, and lent a spurious respectability to a mucky exercise. They must know they will never be allowed to forget it. (The Spectator, October 2013)

Not just a bad person, he was now a bad writer.

Jimmy Savile

In a hit piece in The Quietus in May 2017 – the lead singer of Gene, Martin Rossiter, added Jimmy Savile to the list of Morrissey’s heavily edited word crimes, writing:

Talking about the Jimmy Savile abuse investigation, saying: “2013 enlightenment can’t be applied to dark and dim nights of 1972, otherwise every singer who ever slept with a 14-year-old would suddenly be behind bars – and that would take a lot of bars”

The full quote is this:

As for Jimmy Savile, he is dead. He’s unlikely to care very much what The Daily Mail thinks of him. Savile has won. He got away with it, and he was obviously never a villain in his own eyes. What remains is the question of complicity, because he could not have been so successful a predator without co-conspirators. Who are they, where are they? What are the names of the police chiefs who ignored Savile’s victims? Savile was a profiteer, and those who protected him are still here. However, I’m not sure if witch-hunts against aged Radio Caroline DJs is quite the point. 2013 enlightenment can’t be applied to the dark and dim nights of 1972, otherwise every singer who ever slept with a 14 year old would suddenly be behind bars – and that would take a lot of bars. Any move against the will of another is wrong, but Savile must have imagined himself to be the kids that he assaulted, and he thought them lucky – such was the ego. (Loaded, February 2013)

Later he said:

Hot Press: How did you react to the recent revelations that M15 confiscated a paedophile dossier naming VIP figures, drawn up by Barbara Castle?

Morrissey: I didn’t even raise an eyebrow. The fact that the dossier is supposedly missing is immaterial. People read it and know what it says, and they couldn’t possibly forget the names that they read. Similarly, the ‘royal’ family have determined that the file on the famous Profumo case not be opened or made available to the public until 50 years after Prince Philip’s death. Draw your own conclusions from that. What becomes farcical is the way the modern Conservative government dictate to the public about tax and recession and recycling, and we’re expected to listen and obey, whilst that same government apparently has a history of paedophilia which they go to excessive lengths to hide, whilst telling us how naughty everyone else is. Last week the Pope announced that 2% of priests, bishops and cardinals in the Catholic church are known paedophiles! And this was the fifth story on the news! And we’re asked to have faith in the Catholic church! The world has officially gone mad.

Hot Press: A 1978 radio interview has just been unearthed in which John Lydon accuses Jimmy Savile of being “into all kinds of seediness that we all know about but aren’t allowed to talk about”. What were your impressions of Jimmy Savile?

Morrissey: I’m naïve on the subject of child abuse. I can’t even imagine what it is. My brain doesn’t lock into it. So, I think the Savile case has profoundly changed British society and obviously depressed everyone, but we’ll soon have a sterile Hollywood epic with Johnny Depp in a blond wig holding a fat cigar. Jimmy Savile worked a lot at the BBC in Manchester, and on the club circuit in the ‘60s and ‘70s, and the older members of my family would always heave a sharp intake of breath at the mention of his name. I never knew why. But I think Operation Yewtree is unsurvivable for Britain. Imagine what the rest of the world is thinking. Imagine what small children are thinking. Once again, there’s no concentration on the police commissioners who ignored reports from Savile’s victims. They’re just as guilty – why not smoke them out? (Hot Press, August 2014)

Morrissey isn’t ignoring victims, he’s questioning the system that allows predators (who don’t see themselves as predators) to thrive – police, governments, the Catholic Church.

It’s the same position he has on the UK child abuse scandal that involved grooming gangs of mainly Asian heritage, and a brief spate of London acid attacks reportedly committed by (mainly) non-white people on (mainly) non-white people.

His focus is on the government, the media and the police – not (as assumed by people who say they’re anti-racist yet immediately jump to the most racist conclusion) on slandering all non-white people, or even on the perpetrators, who are criminals being criminal.

London is second only to Bangladesh for acid attacks. All of the attacks are non-white, and so they cannot be truthfully addressed by the British government or the Met Police or the BBC because of political correctness. What this means is that the perpetrator is considered to be as much of a victim as the actual victim. We live in the Age of Atrocity. (Morrissey Central, September 2018)

Telford grooming gangs? Hardly worth a whisper in The Independent. (Morrissey Central, March 2018)

And he’s not wrong that the jails would be full of 1970s DJs and pop stars if all of them were prosecuted – Jimmy Page, David Bowie, Bill Wyman, John Peel… as well as those already convicted, Jonathan King, Gary Glitter…

The underage groupie scene was well-documented, and still celebrated right up until the Harvey Weinstein scandal:

IN THE EARLY 1970S, the Sunset Strip was a magnet for rock stars: Bowie, Zeppelin, Iggy Pop, Mott the Hoople, The Who. They all hung out in the VIP rooms of louche LA nightclubs like E Club, the Rainbow, and Rodney Bingenheimer’s English Disco. And with them, of course, came groupies. Scantily clad 14- and 15-year-olds like Sable Starr and Lynn “Queenie” Koenigsaecker sipped cherry cola, dropped pills, and evolved into pubescent dream girls for the platform-shoed rockers who could get anything and anyone they desired. 

Decades before Drake dissed Tyga for dating 17-year-old Kylie Jenner, and R. Kelly faced multiple allegations of having sex with minors, the most visible rock stars in the world blithely made it with girls who were barely out of junior high school. It was all glorified in the pages of a glossy magazine called Star, which reveled in the underage groupie scene for five issues. Other publications, such as the rock ‘n’ roll bible Creem, flicked at the Sunset Strip doings without so much as a wagged finger. Hell, in 1973, a leisure-suited Tom Snyder devoted an entire show to interviews with some of LA’s highly desired teenage groupies. (Thrillist, March 2015)

https://www.thrillist.com/entertainment/nation/i-lost-my-virginity-to-david-bowie

Future Crimes

Tweeting.

No longer leonine or otherworldly, simply another schtick puppet jiggling through his own schtick in the schtick zoo for the amusement of people on trains who are too afraid of their own thoughts to look out the window. That’s not the Morrissey we want. But it’s the Morrissey that Twitter has in store for us. (Vice, May 2014)

(As of January 2021, he has not engaged on Twitter)

Harassment

Morrissey has yet to be implicated in the post-Weinstein reckoning. (Overland Literary Journal, November 2017)

(As of January 2021, no accusations have been made)

Sacrifice

Morrissey In Satanic Baby Record Sleeve Shocker… (he’s) been painted as a few unpleasant things in his time – Nazi, control freak, skinhead-appeaser, reggae-hater, sanctimonious vegetarian… More disturbing, though, is the baby that he’s holding. Whose is it, for a start? Ponder that, and look at the baby’s forehead… what on earth are those lumps and bumps, arranged in a suspicious pattern?  Might not they be a pentagram carved into the poor mite’s perplexed noggin? (The Quietus, December 2008)*

(As of January 2021, the child is unharmed)

*Although The Quietus say they’re ‘joshing’ – insinuating that there’s something disturbing and suspicious about a gay man (as they label him in a later article) holding a child, taps into a very ugly stereotype, and the joke doesn’t have any other target. Their self-declared anti-fascism has a serious blind-spot.